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Free virtual screening of the documentary film "Native Sons: Palestinians in Exile," by Tom Hayes.

  • Palestine Museum US 1764 Litchfield Turnpike Woodbridge United States (map)

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Screening will start at 12:00 Noon US EDT; 19:00 Palestine, 18:00 Europe, Run Time 98 minutes, English language. The film screening will be followed by a discussion with film director Tom Hayes.

SYNOPSIS
Martin Sheen narrates this examination of the lives of three Palestinian families who fled their homes in 1948 and have lived as refugees in Lebanon ever since. Utilizing archive footage dating from as early as 1935, Native Sons probes the roots of the Palestine/Israel conflict through lives of individual people.

About the Director

Originally from Vermont, Tom Hayes has been making films since he was a kid, winning the Kentucky Educational Television Young Peoples Film Competition when he was 15. As a young man he worked as a deck hand, shipping out of New York on cargo ships. While seafaring started as a strategy to pay for film school, trips into third and fourth world ports became a profound formative experience. Tom received a B.G.S. degree with Emphasis in Cinema and Philosophy from Ohio University in 1977.

Since then Hayes has been running his own film production company, producing long form documentaries and providing production services on hundreds of commercial projects. His personal documentary work has, for the last two decades, focused on issues of identity.

Director’s Statement
I am neither Israeli nor Palestinian. As a full-blooded American “ethnic mutt,” I am often asked why I have spent so many years documenting the human rights situation of Palestinian people. My engagement grew out of work that I did in the Cambodian refugee camps back in the early eighties. When I finished that work, I stumbled on the granddaddy of all refugee groups, the Palestinian refugees. I wound up making a documentary titled Native Sons: Palestinians in Exile. Since then, as the situation of Palestinians both inside and outside of Palestine has deteriorated, I have been unable to look away, and have kept my shoulder to the stone, bearing witness to, and recording their plight.